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So, I’m reorganizing my blog a bit over the next few weeks.

Gregory Scheckler Artworks: That’s this website. This will contain content primarily related to my artmaking pursuits, artworks, and art & science intersections. This is my professional artist website.

Greg’s Field Guide: a new blog, for non-arts musings, diversions, goofiness and of course skiing.

Shape and Color: remains the unofficial MCLA visual arts center.

By reorganizing, I hope to feature the artmaking in a more focused way, while also having a route for other topics elsewhere.

Here’s what I worked on this afternoon, two spectacular fractal images, one a Julia-type attractor and the other a Lorenz:

The athletic and beautiful Laura Christensen appears in today’s Transcript, in an article by John Mitchell.

That’s Laura muscling stone for one of her sculptures. Here’s a close-up of a recent artwork that appears in the North Adams Artist’s Cooperative down on Main St. :

Excellent work!

a little re-blogging… Tammy Daniels provided a lovely article this morning about last night’s Downstreet Art event, which was very successful, drawing a good crowd downtown.

Here’s Tammy’s video report:

See also today’s Transcript article by Jen Huberdeau “City streets come alive with art.”

To learn more about what you can see, check out DownstreetArt.org

Bonnie Sees a UFO

According to The Sun today, some lady named Bonnie saw UFO’s and filmed them:

[Photo credit: Bonnie Lewis, The Sun] And you can see her grainy but oddly compelling video at the Sun’s video channel.

I always love the fact that every UFO never stays unidentified for long. In this case, the reporters state that Bonnie says “I’m not into sci-fi, but they weren’t from this planet.” Of course! This is always Rule Number One: if you don’t know what it is never claim ignorance, it’s better to make something up. Maybe it was toy kites with led’s attached. Or maybe it was God’s fingers pushing through an interdimensional passageway to make an appearance in the evening sky. Who knows? Until identified, no one really knows. Except us artists. Artists, however, are once again far ahead of the rest of culture. Here’s art historical proof that aliens exist (well, existed, anyway, until we dissected and ate them all.)

Doh!

It’s the biggest group of art openings in North Adams at one time, bigger than ever in known history: Thursday evening June 26th.

MCLA Gallery 51 presents Terms of Surrender, by Rich Remsberg. Rich is well-known in the community, our very own bearded photo and film-archivist for numerous documentary productions, as well as author, photojournalist, and collector of the unusual. Here’s Rich and one of my cats, Masaccio, when M. was a wiggly kitten:

Rich is presenting some new video art, as well as some of his better-known works such as his short film, “Jeweler’s Eye,” which premiered at the Slamdance Film Festival earlier this year, and “Common Pictures: A Journey Through the Eyes of Found Photography,” which was an opening act for the electronic music duo, “The Books,” on their spring 2007 tour.

The entire Downstreet Art event kicks off – with Maya III, by Jarvis Rockwell courtesy of MASS MoCA (Despite the belief that the museum doesn’t show local artists, here again MASS MoCA is again presenting the work of another local artist. In another of their current exhibits, Badlands, the Williamstown painter Michael Glier presents a set of fabulous contemporary paintings.)

Another notable opening downtown will be Lumens, and internet-enable installation by Ven Voisey, Sean Riley and Matthew Belanger.

In Main St. 107 is the new North Adams Artist’s Cooperative opens its doors – including works by Kay Canavino, Sharon Carson, Cynthia Lewis, Laura Christensen, Deborah Combs, Karen Combs, Carmen Cuccia, Andrew Davis, Martha Flood, Jen Flores, Jaye Fox, Emily Gold, Barry Goldstein, Karen Kane, Leslie Kearsley, Erin Ko, Steve Levin, Susan Manley, Barbara May, Melanie Mowinski, Lisa Nilsson, Debi Pendell, Sarah Pike, Gregory Scheckler, Diane Sullivan, Thor Wickstrom, Julie Wigg, Rodney Wilkinson, Colleen Williams and Mary Wright.

At IO Gallery, new environmental works (opened on Saturday)

There’s a lot more going on – check out DownstreetArt.org for more information.

 

This just released by MCLA’s team:

 

June 19, 2008

NORTH ADAMS, MASS – Students from across the county are taking part in Massachusetts College of Liberal Arts’ Berkshire Hills Internship Program (B-HIP) this summer as nearly three-quarters of them attend other colleges or universities.

Joining four MCLA students in B-HIP are others enrolled in bachelors and masters programs or recent graduates of institutions including those in Indiana, New Jersey, Minnesota, Vermont and West Virginia, as well as other colleges in Massachusetts – such as Westfield State and Merrimack College.

B-HIP unites non-profit arts organizations – including the Berkshire Opera Company, the Berkshire Museum, the Berkshire Cultural Resource Center in MCLA Gallery 51, the Mahaiwe Theatre, Images Cinema and Kidspace at Massachusetts Museum of Contemporary Art (MASS MoCA) – with college and graduate students interested in a career in arts administration.

Last summer’s interns included those from Japan, Italy and Romania.

“There are reasons folks come from colleges and universities from all over the world to MCLA to enroll in the B-HIP program,” said Jonathan Secor, MCLA director of special programs. “MCLA is in the unique position of having a top-notch arts management program, while situated in the culturally rich Berkshires. Add the fact that, as a state college, the tuition is more than reasonable, and that you are in the Berkshire Hills for the summer, and you have the reasons why students and graduates attend the B-HIP program.”

A recent graduate of Westfield State College, Caroline Collins of Lee is following up her bachelor’s degree in fine arts with an internship at the Berkshire Cultural Resource Center in MCLA Gallery 51.

“Westfield State just has a fine arts department. There are not many other options there, except in graphic design,” Collins said. “I thought the B-HIP program would be good because I’d like to work in a gallery or in education.”

Erin Dougherty, who is working on her master’s degree in art education at the College of St. Catherine in St. Paul, Minn., is interning at Kidspace in MASS MoCA.

“I wanted an internship program where I could do some hands-on teaching and practice some art skills,” Dougherty said. “I want to go into museum education, so this program offered an arts management component, along with the educational experience.”

Eva Lin, who studies telecommunications at Indiana University in Bloomington, Indiana, is interning with the Chuck Davis Documentary Project, at Williams College’s ‘62 Center.

“I see the arts as a form of communication,” Lin said. “The B-HIP program just spoke to me as it saw that connection as well. It also seemed perfect for me because I’d like to produce documentary films.”

Although each B-HIP intern stays at his or her chosen cultural institution throughout the program, each Tuesday morning, the aspiring arts administrators meet as a class with MCLA arts management professors to discuss and dissect what they have been working on. They also meet with cultural leaders from throughout the County for informal art talks, where the leaders to discuss their jobs and talk about the history and running of their cultural institutions. Each Thursday, the interns travel to see various performances and art at not only the program’s participating venues, but also at places like the Berkshire Theatre Festival, Williamstown Theatre Festival, Berkshire Fringe Festival, Jacob’s Pillow, Club Helsinki, Ferrin Gallery, Tanglewood and the Norman Rockwell Museum.

“I’m enjoying it,” said Joe Gross, a Williams College student interning at the Berkshire Opera Company. “It’s been a good experience so far. I’ve learned a lot.”

The 13 students participating in this summer’s 12-week program are Erin Dougherty from the College of St. Catherine in St. Paul, Minn., at Kidspace in MASS MoCA; Ellen Dahill-Brown of West Virginia Wesleyan College in Buckhannon, W.V., at the Berkshire Museum; Joe Gross of Williams College at the Berkshire Opera Company; Colleen McDonald of The College of New Jersey in Ewing, N.J., at Skyboro Sound/Windsor School of Music; Kerrilee Knights of Green Mountain College in Poultney, Vt., at the Mahaiwe Theatre; Eva Lin of Indiana University in Bloomington, Ind., at the Chuck Davis Documentary Project at the ‘62 Center; Halli Chamberlain of MCLA at the Kolok Gallery; Mary Domenichelli of MCLA at the Williams College Department of Dance; Elizabeth McWhirk of MCLA at Northern Berkshire Creative Arts; Caroline Collins of Westfield State College at the Berkshire Cultural Resource Center; Abbi Hermosa of Merrimack College in North Andover at Greylock Arts; Darren Fitzgerald of MCLA at Images Cinema; and Angela Zammarelli of Minneapolis College of Art and Design in Minneapolis, Minn., at the Pittsfield Office of Cultural Development.

For more information, 413-664-8718, or go to [ http://www.mcla.edu/b-hip ]www.mcla.edu/b-hip .

Cedar Waxwing Duo

Cedar Waxwing Duo

Originally uploaded by v-ger

Here’s a great pair of cedar waxwings, pausing for a kiss after eating berries — I hope you enjoy the double s-curve composition of the photo as much as I did. This sketch is sure to show up in a painting someday!

Eastern Tiger Swallowtail

One of my newer butterfly photos, of an Eastern Tiger Swallowtail (yellow variation), is now online at

http://www.butterfliesandmoths.org/images?l=1372

Here’s the photo:

I took this shot after waiting patiently for a very long time at Mausert’s Pond – there were seven or eight swallowtails flitting around in a light breeze – none staying still for very long, until this one chose to land on the beach and spread her wings for a perfect dorsal identification.

You can also be a citizen scientist; May and June are perfect times to go out in the field and try to photograph moths and butterflies. Then process the images according to their needs, sending sighting data and your picture to Butterflies and Moths of North America. There’s a simple spreadsheet to fill out (location, species, etc.) and you have to send the info to the right person (see their website for more info).

Some artists become creative by reacting against the system.

My first post about Max Ernst is popular, getting more hits than any other post on my website. So I thought I’d add some more thoughts about his artistry. He once said his art was “Rebellious, heterogeneous, full of contradiction,… unacceptable to specialists of art, culture, morality. But it does have the ability to enchant my accomplices: poets, pataphysicians and a few illiterates.”

Pataphysics was the spoof-science of imaginary solutions, especially those that are beyond metaphysics. Joke’s on you (as if you’re dumb enough to be a metaphysician! – you know better don’t you?)

Here’s three great images from the master surrealist:

Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard, and the Painter. [image credit: Museum Ludwig, Cologne Germany] I saw this painting at the Metropolitan Museum back in 2005. On the exhibit and this painting, Leo Steinberg commented on Ernst’s blasphemy. See also a wonderful article by Robert Hughes at Time Magazine. As an image Virgin Spanking… is hilarious. As a painting, well, the colors are kind chalky and paint application crummy and perspective wack-o but at least given the circumstances the baby’s tender butt cheeks are suitably reddened. And certainly if I ever had the chance to meet the God-baby I’d spank His Holiness too, for two reasons: it’s stupid to create all things and then make yourself a man to kill yourself to save everyone from your sins which wouldn’t be sins if you hadn’t said so in the first place by punishing us real humans for having the gall to eat the fruit of knowledge (Jesus! Just change your mind!), and, if I’d had a baby and everyone still thought I was a virgin I’d be spankin’ mad too! The whole affair makes you wonder who’s the bigger liar: Joseph, Jesus, or Mary. If nothing else it’s nice to know that a great painting doesn’t always have to be made out of virtuoso filigrees or the academic illusionist’s fussiness, of which I am also quite fond.

Europe after the Rain. [Image credit: Wadsworth Atheneum, CT, USA] A frottage landscape. Frottage is a great technique for working from the imagination, if you can handle all the apophenia and pareidolia.

The Eye of Silence. [Image credit: Mildred Lane Kemper Museum at Washington University in St. Louis – saw this painting many times when I was a student there. Read the museum's text about the painting at their website.]The painting is not this bright in real life; it is darker and subtler in palette. And you know, it’s true. Paintings are silent. I often thought this was more of a painting about painting than a painting about war or landscape. The painting that quietly looks right back at you. Sort of. We’re easily fooled. And that may well be Ernst’s main point.

Calling himself the Male Mother of Methodical Madness: Ernst was, clearly, a contrarian. (No! He was not!)

We need people who use negation to make new things happen. Creativity often comes from rejecting the norms. And it’s maybe even more important to be a contrarian in today’s world of mass media, where absolute claims and their illegitimate stepchildren, the pundits, all breed and thrive. Think how sanitized the military actions in Iraq appear on CNN – it is as if real life became the Dada that Ernst eventually rejected, just as in his time how the horrific events of war that had motivated his artmaking had been “rendered harmless to the point of cuteness by the subsequent, reverential appreciation of Dada.” Once coopted, ever cutesy. Once war is cute, we’re all doomed. If nothing else, the attempt to contradict a claim is a good exercise in rhetoric. And thankfully for us artists wherever there’s rhetoric, there’s at least a little art.

Copyright notice: this posting for educational use only, as a free service to art students at MCLA and everywhere.

Author of this entry: Gregory Scheckler, June 2008.

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